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Göteborg 2004
Nordic Documentaries or A Mystic Trip
By Hassouna Mansouri
The Nordic competition of the 27th edition of the Gothenburg
Film Festival (Jan 23 – Feb 02 involves both feature films and documentaries.
Two of the latter confirmed a kind of Nordic cinema speciality. It seems
to be a cultural characteristic of Scandinavian societies to try to understand
life not on the level of society but on the level of individuals. Gunner
goes comfortable by Gunner Hall Jensen from Norway and Hiding behind the
camera part 2 by Carl Yohan De Geer from Sweden are two documentaries
where the filmmakers try to understand themselves, to answer a question
such as ‘Why is my life going the wrong way?’
For Carl, his problem comes from the situation of his life. His story
is connected to his class history, and also with the mutation of society.
For Gunner the problem is internal, it comes from his own character. In
his search to understand where to find the “sense” of his
life he goes deeply into his own soul.
Both of them go on a trip somewhere inside themselves by
literally travelling at the same time. Carl chose Italy; Gunner preferred
to go to India. The movement in space becomes a metaphor for internal
travel.
Gunner tried to find some answers in Indian culture and
in relief in this part of world which is far from his country. In addition
to the discussion that he had with some people, he defied the Himalayan
Mountain. Unsatisfied for the answers that humans can give him he tried
looking somewhere else, in another space. Finally he was convinced that
the answer could come only from inside his self. In the trip up the Himalayas
he found himself faced with his anxiety.
Carl’s trip takes place in a nearer country and in
a different way. No conversation with people, only a fictitious journey
in which he goes alone up a mountain or into a dark tunnel where he faces
his solitude. His only luck is to find a bottle of wine. The challenge
of analyzing his existential crises turns, like for Gunner, on going up
a mountain.
In these two internal Odysseys, the mystic travel inside
the human soul become desire to move in space. At the end there is a return
to the beginning, to the origin of the crises. Gunner come back to his
country to find his family and start to deal with his house. Carl comes
to admit the confusion between the feeling that he has for his “noble”
parents and his ideological convictions. At the end, in an interview with
a television reporter, he recognizes the truth of his good feelings for
his family even if his political ideas go against it. In the two mystic
trips the end is a return to reality.
Hassouna Mansouri
© FIPRESCI 2004
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